Writer of Short Stories & Novels
“The Last Novelist (or A Dead Lizard in the Yard)”
Bifrost
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“In Memory of a Summer’s Day”
Mad Hatters and March Hares
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“The Last Novelist (or A Dead Lizard in the Yard)”
Tor.com
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“Love Engine Optimization”
Lightspeed Magazine 85
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“One Spring in Cherryville”
Available in most ebook formats
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“The Garden Beyond Her Infinite Skies”
XB-1
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“The Singularity is in Your Hair”
Cyber World
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“The Sounds of Old Earth”
科幻世界 (Science Fiction World)
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“The Problem of Meat”
Grendelsong
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“The Meeker and the All-Seeing Eye”
Nebula Awards Showcase 2016
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“Demon in Aisle 6”
Nightmare Magazine 38
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“The Meeker and the All-Seeing Eye”
World Chinese SF Association
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“The Thing in the Refrigerator That Could Stop Time”
Apex Science Fiction and Horror Digest
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“Marie and the Mathematicians”
Andromeda Spaceways Inflight Magazine #26
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“The Writing’s on the Wall”
Farrago's Wainscot #5
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“The Sembla”
A Field Guide to Surreal Botany
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“The Girl in the Basement”
Hatter Bones
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“Saving Diego”
Interzone #221
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“The Spaces Between Things”
Electric Velocipede 17/18
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“The Girl in the Basement”
Apex Magazine, Vol 3, Issue 3
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“The Suffering Gallery”
Beneath Ceaseless Skies - Issue 57
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“The History Within Us”
Clarkesworld Magazine #42
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“The History Within Us”
The People of the Book
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“The Hands That Feed”
Steam-Powered: Lesbian Steampunk Stories
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“The Bricks of Gelecek”
Naked City
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“The Hands That Feed”
The Mammoth Book of Steampunk
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“The Suffering Gallery”
The Best of Beneath Ceaseless Skies, Year Three
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“The Great Game at the End of the World”
After
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“The Sounds of Old Earth”
Lightspeed Magazine and io9.com
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“The History Within Us”
Clarkesworld Year Four
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“The Last Probe”
Launch Pad
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“Pheth’s Aviary”
Beneath Ceaseless Skies - Issue 133
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“The Meeker and the All-Seeing Eye”
Clarkesworld Magazine #92
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“The Sounds of Old Earth”
XB-1 Issue 8/2014
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“The Sounds of Old Earth”
Космопорт (Kosmoport)
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“The History Within Us”
XB-1 Issue 11/2014
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“Cameron Rhyder’s Legs”
Clarkesworld Magazine #98
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“The Sounds of Old Earth”
Nebula Awards Showcase 2015
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“The Garden Beyond Her Infinite Skies”
Clarkesworld Magazine
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Lunacon Schedule

I’ll be attending Lunacon in Tarrytown, NY on April 8-9th. I’ll be on the following panels/readings:

“Writing the empathic character”, Hudson Writing Sat 1:00 PM 
If you’re enclosed in the bubble of your own life, can you imagine the lives of others?” How do you write an empathetic human or alien? Is it ethical to force empathy? What is the opposite of an empathic character?

“Writing Social Change in SF” Hudson Writing Sat 2:00 PM 
This panel explores how speculative fiction can present the social, environmental and political challenges of our society. What is the best way to discuss these challenges without alienating readers? Is it our responsibility as artists to incorporate these issues in our work, whether overtly or covertly? How can we avoid prejudices and stereotypes in our work?

Are You Lost In the World Like Me? Grand Ballroom A Media Sat 5:00 PM 
After a showing of “Are You Lost in the World Like Me” of Animation by Steve Cutts (music by Moby and the Pacific Void Choir), we discuss today’s cyberpunk-like dystopia and where we are headed in the future. Moby says “These systems are failing.”

Reading: Matthew Kressel Dutchess Reading Sun 11:00 AM 
Reading: Matthew Kressel (of Altered Fluid writer’s group)


BRITE Conference

I’m excited to be participating in a panel called “From T-1000 to Hal 9000: How Realistic Are Sci-Fi’s Robots?” at the 10th annual BRITE Conference held at the Columbia Business School. The panel will be held on March 6th from 11:10am-12:00pm. The official panelists are: Dan Abella, Director of the New York Sci-fi Film Festival and Philip K. Dick Film Festival, Matt Kressel (yours truly), Nebula-award nominated sci-fi author, Peter Asaro, PhD and Assistant Professor at the New School, and Mike Massimino, former NASA astronaut. The panel will be moderated by Christopher Mahon.

PANEL DESCRIPTION:
From T-1000 to Hal 9000: How Realistic Are Sci-Fi’s Robots?

Sentient robots have been a classic science fiction trope for decades, and with the popularity of works like Her, Ex Machina, and Westworld, they’re not going away anytime soon. In this panel, artificial intelligence and pop culture experts discuss famous depictions of sentient AI and their respective levels of scientific plausibility. Is Samantha from Her the logical extension of Siri and Google Home? Do we need to preemptively afford artificially intelligent robots “human” rights in order to avoid the enslavement of sentient beings? If we ever build a robot that can approximate emotion like Hal 9000 or Ava from Ex Machina, would we ever be sure that they are *feeling* emotion rather than simulating it? Join us for a discussion of all of the most fascinating questions (and most entertaining pieces of fiction) about the burgeoning growth of artificial intelligence.

ABOUT THE BRITE CONFERENCE:
Now in its 10th year, BRITE ’17 (March 6-7, Columbia Business School, NYC) will bring together 500-600 executives, entrepreneurs, academics, and students to discuss the future of business, technology, media, and society. Participants at BRITE come to learn about how innovative ideas are changing society and the ways that brands are built and maintained. Current confirmed speakers for BRITE ’17 include: Maryam Banikarim (CMO, Hyatt), Dana Anderson (CMO, Mondelez), Jonathan Becher (CDO, SAP), Raj Subramaniam (EVP, FedEx), Andrew Kassoy (Co-Founder, B Lab) and Chris Welty (Senior Researcher, Google).


Arisia Schedule

I’ll be at the Arisia convention in Boston this weekend. It’s a great convention, and I’m looking forward to it! Here’s my schedule. Hope to see you there!

Story Architecture: How to Plot Your Story
Marina 3, Writing, Sat 5:30 PM 
Deborah Kaminski (m), Michael Carr, Felicitas Ivey, Matthew Kressel, Suzanne Palmer
“A well-crafted story resembles a suspension bridge. How much backstory do you need at the beginning? How quick should you get to the inciting incident? What the heck is a midpoint? What milestones should you plot before you write a single word? And how do you get to your ‘all is lost’ moment without losing track of why the heck you started writing in the first place? Whether you’re a plotter or a pantser, creating a roadmap will help your protagonist get to their destination.”

How to Self-Edit That Steaming Hot Pile of Crap
Adams, Writing, Sun 10:00 AM
Trisha Wooldridge (m), Jacqui B., Alexander Jablokov, Matthew Kressel, Ken Schneyer
“Have you ever gone back to edit your story, only to ask “Who wrote this $#!t?” Can you fix it? Where do you start? Our experts will teach you how to identify which elements you wish to save, how to spot plotting and pacing issues, why adverbs are so bad, and what tools are available to make self-editing easier. Bring a butcher knife…it’s time to conduct surgery on your baby…”

Is Optimism Just Nostalgia in Disguise?
Marina 2, Literature, Sun 11:30 AM
Andrea Hairston (m), MJ Cunniff, Matthew Kressel, Nalin Ratnayake, T.X. Watson
Description We are hearing, after a long sojourn in dystopia and postapocalypse, that optimistic SF is making a comeback. Is it really the case or is the optimism of yesterday just another type of nostalgia? When climate change, postantibiotic medicine, and resource depletion are major factors in our lives (topics that are not always as well addressed in optimistic SF), is there a way to temper our optimism and inspire those who might be able to face these problems?